Mandolinist Jeff Austin is unstoppable. He is celebrated for his fleet fingers and penchant for improvisation on stage, but those qualities also speak volumes about how he chooses to live. Austin has cultivated his natural musical abilities and allowed himself to be driven by his boldest instincts. In this way, he has been able to build positive, exciting momentum around his life’s greatest passion. In 1998, while working at a bar called the Verve in Nederland, Colorado, Austin met Adam Aijala and Ben Kaufmann, with whom he and Dave Johnston would form the Yonder Mountain String Band. “My time with Yonder has taught me what is possible,” Austin says. “It has shown me that if you work hard at it and you believe in it and there’s a part of you that’s meant to do it, it will happen. It’s clichéd, but it’s true.” It is with this history at his back that Jeff Austin will step out into the spotlight as a solo act. “My ideal sound is between Phish, My Morning Jacket, and Zac Brown Band.” Austin plans to continue songwriting for his solo project but might be weaving in a bit of mainstream, in the style of his John Scott Sherrill/Shawn Camp co-write “Fiddlin’ Around,” featured on Dierks Bentley’s 2010 bluegrass album Up on the Ridge. “I love writing a three-minute song with a hook that would grab a five-hundred-pound marlin as much as I like writing something that goes, ‘okay, after the bridge, it’s going to open up and just go wide.’” Indeed, “wide” is what Jeff Austin is all about. He wants new and different, complex and interesting. He wants everything the music world has to offer, and he’s willing to work hard to get it. ------ Jon Stickley Trio is a genre-defying and cinematic instrumental trio, which combines Stickley’s innovative flatpicking guitar with the sultry-spacy melodies of Lyndsay Pruett on violin along with classically trained and heavily jazz influenced drummer Hunter Deacon to create textural soundscapes. “It’s not your father’s acoustic-guitar music—although Stickley’s pop showed him his first chords when he was 12 years old. Instead, Stickley’s Martin churns out a mixture of bluegrass, Chuck Berry, metal, prog, grunge, and assorted other genres—all thoroughly integrated into a personal style,” writes Guitar Player Magazine.