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Left: Hunt Slonem, Albania Plantation (from the Bayou Teche series), 2009. Oil on canvas. Courtesy of the artist and Marlborough Gallery, New York. Above: Margaret Evangeline, Britania, 2010. Gunshot brushed stainless steel with porcelain. Courtesy of the artist and Stux Gallery, New York. |
Bayous and Ghosts features work by internationally recognized artists and friends Margaret Evangeline and Hunt Slonem. With ties to the American South, both artists are inspired by romantic aesthetics that originate particularly in Louisiana and play into the larger history of the United States. Their shared vision as artists and friends dovetail into their evocative and painterly work.
Margaret Evangeline is a New York based, Louisiana born painter who experiments with resistant materials. Fluctuating between creating works with aluminum punctured with bullet holes and heavily worked oil on canvas paintings, she is often inspired by beloved authors of the South coupled with an interest in beauty and wreckage.
Hunt Slonem is a New York and Louisiana based artist whose fascination with exotica and spirituality pervades his work. Inspired by various legends of history and Victorian gothic, the exhibited paintings focus on his beloved historic plantation along the Bayou Teche. Evangeline's and Slonem's shared vision as artists and friends dovetail in the evocative and painterly work featured in the exhibition.


Moorefield will present a lecture entitled "Why Should University Museums Collect?" on Thursday, January 12, the evening that both exhibitions open, in the Niederer Auditorium of the Visual Arts Center. The lecture will begin at 6:00 pm and be followed by a reception.
Above: Darragh Park, One Night the Empire State Building was Blue- 7th and 22nd, #1 (detail), 1995. Watercolor on paper. Gift of the Estate of Darragh A. Park. Collection of the Eleanor D. Wilson Museum at Hollins University, 2011.028.